

In September 1987, a group of passionate Gilbert and Sullivan enthusiasts came together in Ramsey to form the Ramsey G&S Society. The society’s first production, Trial by Jury, was staged at Ramsey Grammar School in 1988 and proved to be a great success.
Encouraged by this positive reception, the group made the decision to relocate to Douglas, adopt a new name – the Manx Gilbert & Sullivan Society – and set their sights on performing at the island’s premier venue, the Gaiety Theatre.
Their first production at the Gaiety came in 1989 with a one-night-only performance of The Mikado. Despite being produced on a modest budget, with homemade costumes and sets, it was met with enthusiasm and marked the beginning of a long and successful tradition of G&S performances on the island.
Over the years, the society expanded its repertoire, performing most of the well-loved Gilbert & Sullivan operettas. However, as audience interest in traditional G&S works began to decline, the society made the decision to diversify and explore a broader range of musical theatre. This shift began in 2006 with a production of The Merry Widow.
In April 2018, to support this new creative direction, Centre Stage Productions was established as a subsidiary company of the Manx Gilbert & Sullivan Society. This new name would be used specifically for all non-Gilbert & Sullivan productions – opening the door to fresh opportunities and wider appeal, while still honouring the society’s roots.













Sweet Charity follows the romantic trials and tribulations of Charity Hope Valentine, “a girl who wanted to be loved.” Charity is a taxi dancer, a dance partner-for-hire at a seedy dance hall in New York City. Though the job may be decidedly undesirable, Charity’s hopeful romanticism and unfailing optimism lift her out of her circumstances and help her reach for a life beyond. In the past, she’s been strung along and hung out to dry by a series of bad relationships and lousier men. When she meets Oscar, a neurotic, shy actuary seemingly from another world, will she finally find true love at last?
Featuring hit musical songs including ‘Rhythm of Life’, ‘Hey Big Spender’ and ‘If My Friends Could See Me Now’. Take a journey through all elements of life in 1960s New York.
One of the most famous shows by legendary director / choreographer Bob Fosse and with a laugh-a-minute script by the incomparable Neil Simon, every audience is destined to fall in love with Charity’s limitless spirit, as she lives life “hopefully ever after.”
Director
Choreographer
Assistant Choreo
Musical Director
Assistant MD
Stage Manager
Lighting Design
Sound Design
Head of Wardrobe
Head of Props
Head of Hair
Head of Makeup
Val Cowley
Ruth Barnes
Gem Last
John Elliott
David Holland
Nick Cayzer
Lucy Cain
Alex Linney
Nora Lean
Clare Cayzer
Jenny Green
Janet Norris
Charity
Oscar
Nickie
Helene
Carmen
Daddy Brubeck
Herman
Vittorio
Ursula
Carla
Elaine
Betsy
Lisa Kreisky
Neil King
Vic McLauchlan
Sarah Callow
Gill Buchanan
Joey Wylde
Gary Corkhill
David Lyons
Emma Bowker
Beth Brown
Emma Chapple
Gem Last
Susanne
Frenchy
Cindy
Rosie
Manfred
Charlie
Assistant
Assistant
Assistant
Hannah Taylor
Kate Stobart
Sarah Qualtrough
Kelly Firth
Joseph Long
Juan Moore
Ben Gale
Joshua Molyneux
Jonathan Lyons
Ensemble Clive Bishop, David Britton, James Craig, Shannon Dallison, Gracel Delos Santos, Paul Devereau, Monica George, Bob Harrison, Carrie Hazeel, Tim Keyes, Caitlin McAleer, Lisa Payne, Terry Qualtrough, Chris Shimmin
Best Female Actor
Best Director
Best Choreography
Best Newcomer
best Male actor
best supporting actor

Marking 30 years of the Manx Gilbert & Sullivan Society. Grand concert featuring music by Arthur Sullivan; Performed by the Isle of Man Symphony Orchestra; Conductor: Maurice Powell.
Isle of Man Symphony Orchestra: Overture, Entrance and March of the Peers from Iolanthe, The Lost Chord sung by Karen Elliott, and Pineapple Poll based on the music of Sir Arthur Sullivan; Arranged by Charles Mackerras. Plus a performance of Gilbert & Sullivan’s Trial by Jury; Accompanied by members of the orchestra; Conductor: John Elliott.
Trial by Jury is a comic opera, first produced on 25th March 1875, concerning a “breach of promise of marriage” lawsuit, in which the judge and legal system are the objects of lighthearted satire. Gilbert based the libretto of Trial by Jury on an operetta parody that he had written in 1868. Hailed by theatre scholar Kurt Gänzl as “probably the most successful British one-act operetta of all time,” Trial by Jury is a bite-sized portion of Gilbert and Sullivan’s signature witty lyrics, catchy tunes, and ridiculous plotlines.
Conductor
Conductor
Plaintiff
Defendant
Judge
Counsel
Usher
Foreman
Violin 1
Maurice Powell
John Elliott
Karen Elliott
Tim Markham
Phil Bird
Geoff Collier
Andrew Williamson
Karl Cubbon
Tom Field
Karen Field
Graham Kirkland
Richard Rose
Julian Shelley
Juliet Tranter
Clarinet
Violin 2
Double Bass
Bassoon
Viola
Geoffrey Whittaker
Nigel Harrison
Chris Sullivan
Kath Corkill
Elizabeth Brooks
Bethan Cannell
Erin Jackson
Nigel Taylor
Janet Warburton
Charlotta Galka
Fiona Roome
Bernard Osborne
Kay Quirk
Barbara Thomson
French Horn
Oboe
Trumpet
Cello
Flute
Trombone
Perucssion
Bob Shaw
Wendy Heaton
Paul Kampen
Andrew Cole
Ken Mitchell
Paula Wadsworth
Neil Brown
Ruth Cannell
Anne Dougherty
Ruth Crossley
Rosalind Singleton
Juan Wright
James Davis

Set in an island paradise during World War II, South Pacific is based on the anecdotes of a real-life U.S. Navy commander and follows two parallel love stories threatened by the dangers of prejudice and war.
Nellie, a spunky nurse from Arkansas, falls in love with Emile, a mature French plantation owner who has two children from his late Polynesian wife. At the same time, U.S. Lieutenant Cable falls for a beautiful island native named Liat. Both Americans find themselves struggling to reconcile their own cultural prejudices with their amorous feelings, all the while under the dark cloud of a war that is coming ever closer to their island paradise.
Music by Richard Rodgers; Lyrics by Oscar Hammerstein II; Book by Oscar Hammerstein and Joshua Logan.
Adapted from the Pulitzer prize winning novel ‘Tales of the South Pacific’ by James A. Michener.
An amateur production by arrangement with R&H Theatricals Europe.
Director
Choreographer
Assistant Choreo
Musical Director
Dance Captain
Stage Manager
Lighting Design
Sound Design
Head of Wardrobe
Head of Props
Head of Hair
Head of Makeup
Val Cowley
Ruth Barnes
Susannah Maybury
John Elliott
Gem Last
Nick Cayzer
Mike Lean
Alex Linney
Nora Lean
Clare Cayzer
Jenny Green
Janet Norris
Nellie Forbush
Emile de Becque
Bloody Mary
Luther Billis
Liat
L.t. Cable
Ngana
Ngana
Jerome
Jerome
Captain Brackett
Commander Harbison
Jenny Quirk
Simon Fletcher
Jude Fullerton
Tom Pamplin
Katie Colgan
Tim Keyes
Daisy Quinn
Emily Bridson
Santi Ramirez-Pajaro
Orry Wilson
Bob Harrison
Paul Lewin
L.t Addams
Paul Devereau
Ensemble Ben Gale, Cameron Ledingham, Chris Shimmin, Clive Bishop, John Walsh, Joshua Molyneux, John Quayle, Jonathan Lyons, Joseph Long, Juan Moore, Michael Cowin, Neil King, Richard Waugh, Terry Qualtrough, Vincent Dale, Anna Shimmin, Beth Brown, Caitlin McAleer, Claire Clampton, Gem Last, Joanna Gibney, Jill Turner, Lisa Payne, Lin Walsh, Louise Cho, Lucy Shimmin, Mel Read, Monica George, Morag Withey, Sarah Qualtrough, Shannon Dallison, Sophie Killey, Sue Eppleston, Vanessa Rumsey
services to amateur theatre
Best male Actor
Best Director
Best musical director
Best female actor

Richard Rodgers once wrote that of all the musicals he wrote, Carousel was his personal favourite. This American classic features some of Rodgers and Hammerstein’s most iconic pieces, including “If I Loved You” and the iconic “You’ll Never Walk Alone.”
The story tells of roguish carnival barker Billy Bigelow and mill worker Julie Jordan, both loners, who meet and fall in love. Their marriage ends up costing both their jobs, and things go downhill from there.
Billy’s desperation makes him violent against those he loves most, and drives him to commit crimes in order to provide for his family. When Billy falls in with con-man Jigger Craigin, he ends up getting caught in the midst of an armed robbery and takes his own life.
Billy is allowed to return to earth for one day fifteen years later, and he encounters the daughter he never knew. Louise is a lonely, friendless teenager, her father’s reputation having haunted her throughout her young life. Yet Billy is able to instill in both the child and her mother a sense of hope.
Voted the best musical of the 20th century by Time Magazine, Rodger’s and Hammerstein’s Carousel is the classic American musical, exploring human frailty, resilience, and the power of forgiveness.
Music by Richard Rodgers; Book and Lyrics by Oscar Hammerstein II; Based on Ferenc Molnar’s Play “Liliom” as adapted by Benjamin F. Glazer.
An amateur production by arrangement with R&H Theatricals Europe.
Director
Choreographer
Musical Director
Assistant MD
Dance Captain
Stage Manager
Lighting Design
Sound Design
Head of Wardrobe
Head of Props
Val Cowley
Susannah Hodgson
John Elliott
Jill Collings
Sarah Callow
Mike Lean
Mike Lean
Alex Linney
Nora Lean
Tracey Martin & Simon Lumb
Billy Bigelow
Julie Jordan
Jigger Craigin
Enoch Snow
Nettie Fowler
Mrs Mullins
Carrie Pipperidge
Carnival Boy
Louise
Enoch Snow Jr
Starkeeper
Matthew Quinn
Jenny Quirk
Simon Fletcher
Tim Keyes
Val Kissack
Simone Pendlebury
Marie Quinn
Jason Ozenturk
Eve Craik
Joseph Long
Bob Harrison
Mr Bascombe
Heavenly Friend
Heavenly Friend
Captain Watson
Principal
Policeman
Policeman
Mike Devereau
Paul Lewin
Joanne Gibney
Clive Bishop
Clive Shimmin
Tom Pamplin
Cameron Ledingham
Ensemble Elliott Aitcheson, Giles Beaumont, Geoff Christian, Matt Cox, Ben Gale, Josh Moore, John Quayle, Carly Bell, Sarah Callow, Bethan Cannell, Emma Chapple, Claire Clampton, Claire Cox, Paula Gelling, Frankii Greenbank, Sophie Jennings, Holly Jones, Sophie Killey, Claire Holden-Kipling, Nora Lean, Becci Lumb, Lucy Pendlebury, Faye Pendlebury, Mel Read, Kayleigh Smart, Anna Shimmin, Lucy Shimmin, Hannah Sweetman, Morag Withey, Val Coole, Pat Larkham, Sandy Shimmin, Fran Quayle, Deborah Thompson, Caroline Turner, Feena Wilson, Evie Chapple, Lena Coole, Phoebe Cringle, Ted Last, Kai Payne, Siena Payne, Daisy Quinn, Emily Bridson, Deelyn Goldie, Lauren Gibney, Stella Karezi, Isabelle Perkins, Laura Perkins, Niamh Quayle
Best male Actor

In the wild-west outpost of Deadwood City, 1876, we find the sharpshooting tomboy, Calamity Jane surrounded by cowboys, townsfolk, and the famous Wild Bill Hickock.
After a mix-up in the talent pool at Deadwood’s saloon-theatre, Calamity goes to Chicago to import the glamorous actress, Adelaide Adams, back to Deadwood but returns by mistake with her maid, Katie Brown instead.
Back in Deadwood, Katie’s inability to perform is overcome as she wins the heart of the young Lieutenant Danny Gilmartin, and when Calamity sheds her tomboy persona at a ball at the local Fort and becomes a true woman, she realizes that she loves Wild Bill Hickok.
Calamity Jane is a musical stage play based loosely on tales from the life of Martha Jane Cannary. The stage play was adapted in the 1960’s from the highly successful 1953 Warners Brothers film version.
Music by Sammy Fain; Lyrics by Paul Francis Webster; Adaptation by Phil Park and Ronald Hanmer, from the stage play by Charles K. Freeman, after Warner Bros film written by James O’ Hanlon.
This amateur production is presented by arrangement with Josef Weinberger Ltd.
Director
Choreographer
Can-can Choreo
Musical Director
Assistant MD
Dance Captain
Stage Manager
Lighting Design
Sound Design
Head of Wardrobe
Head of Props
Val Cowley
Gary Chatel
Christine Wild
John Elliott
Jill Collings
Lisa Dancox
Mike Lean
Mike Lean
Nick Large
Nora Lean
Jude Fullerton & Caroline Cain
Calamity Jane
Adelaide Adams
Bill Hickock
Katie Brown
Susan
Henry Miller
Rattlesnake
L.t. Gilmartin
Francis Fryer
Doc Pierce
Barman
Sarah Elder
Lisa Dancox
Matt Quinn
Tracey McCann
Dandi Dancox
Frank Smyth
Bob Harrison
Tom Pamplin
Nigel Thijs
Paul Lewin
Nick Blackburn
Ensemble Clive Bishop, Sarah Brew, Emma Chapple, Claire Clampton, Jill Collings, Claire Cox, Matt Cox, Eve Craik, Cameron Ledingham, Simon Lumb, Joshua Moore, Terry Qualtrough, John Quayle, Marie Quinn, Mel Read, Paul Devereau, Ben Gale, Joanne Gibney, Frankie Greenbank, Kay Harker, Tim Keyes, Sophie Killey, Nora Lean, Anna Shimmin, Chris Shimmin, Lucy Shimmin, Kayleigh Smart, Hannah Sweetman, John Walsh, Lin Walsh, Maureen Reynolds, Pat Larkham, Deborah Thompson, Val Kissack, Fran Quayle, Val Coole, Sandy Shimmin, Caroline Turner
Best male Actor

Set in 1948, famed socialite Tracy Samantha Lord is about to marry her second husband, George Kittredge. Her harried mother, Mrs Margaret Lord, and her precocious younger sister Dinah, are at the family mansion in Philadelphia supervising last minute preparations, whilst her father Seth Lord is absent ostensibly on business.
Sydney Kidd, editor of ‘Spy’ Magazine is determined to get the inside story on the lavish wedding and blackmails Tracy’s ex-husband Dexter to arrange for two journalists to pose as guests and obtain an exclusive story.
High Society is packed with Cole Porter standards, including “Ridin’ High,” “She’s Got That Thing,” “True Love,” “Just One Of Those Things,” “Let’s Misbehave,” “It’s All Right With Me,” and “Well, Did You Evah?”
Music and lyrics by Cole Porter; Book by Arthur Kopit; Based on the play ‘The Philadelphia Story’ by Philip Barry and on the Turner Entertainment Co. motion picture ‘High Society.’
This amateur production is presented by arrangement with MUSICSCOPE Ltd. on behalf of TAMS-WITMARK MUSIC LIBRARY, INC. NEW YORK
Director
Choreographer
Choreographer
Musical Director
Accompanist
Accompanist
Stage Manager
Lighting Design
Sound Design
Head of Wardrobe
Head of Props
Head of Hair/Makeup
Val Cowley
Paul Bradford
Christine Wild
David Holland
Marilyn Cannell
Jill Collings
Mike Lean
Mike Lean
Kristian Elstrop
Nora Lean
Tracey Martin
Jenny Green
Tracey Lord
C.K. Dexter-Haven
George Kittredge
Mrs Lord
Dinah Lord
Liz Imbrie
Mike Connor
Uncle Willie
Seth Lord
Anna
Edmund
Stanley
Gemma Varnom
Simon Fletcher
Frank Smyth
Carrie Hunt
Dandi Dancox
Lisa Dancox
Neil Callin
Paul Lewin
Bob Harrison
Sarah Brew
Paul Devereau
Nick Blackburn
Chester
Arthur
Servant
Sam Martin
Terry Qualtrough
John Quayle
Ensemble Caroline Cain, Jill Collings, Val Coole, Paula Gelling, Joanne Gibney, Sophie Killey, Clare Kipling, Pat Larkham, Nora Lean, Paige Openshaw, Tracey Quayle, Mel Read, Maureen Reynolds, Caroline Turner, Michael Cowin, John Elliott, Karen Elliott, Kay Harker, Hazel Johnson, Helen Prescott, Fran Quayle, Val Kissack
Best Director
Best female actor
Best female supporting actor
most promising newcomer

Since its premiere in 1885, The Mikado has become one of the most-performed pieces of musical theatre in history.
As with many of Gilbert and Sullivan’s productions, the show satirizes aspects of Victorian Britain’s politics and aristocracy; in The Mikado, however, this is cleverly cloaked behind a charming story set not in Britain, but in exotic Japan.
A year before the action of this opera begins, Nanki-Poo, son of the Mikado of Japan, fled his father’s imperial court to escape marriage with elderly lady Katisha.
Disguised as a travelling musician, Nanki-Poo meets and falls in love with Yum-Yum, but there’s just one catch…she’s betrothed to Ko-Ko, the new Lord High Executioner. And Ko-Ko needs to find someone to execute, otherwise it’s his own neck on the block!
This complex satire is characterised by the clever wordplay, memorable tunes, and endearing characters that have allowed Gilbert and Sullivan’s popularity with audiences to endure for well over a century.
Music by Arthur Sullivan; Lyrics by W.S. Gilbert.
Director
Choreographer
Musical Director
Assistant MD
Accompanist
Accompanist
Stage Manager
Lighting Design
Sound Design
Head of Wardrobe
Head of Props
Head of Hair/Makeup
Val Cowley
Sonia Callin
John Elliott
Geoff Collier
Marilyn Cannell
Jill Collings
Mike Lean
Mike Lean
Kristian Elstrop
Nora Lean
Caroline Turner & Tracey Martin
Jenny Green
Ko-Ko
Pooh-Bah
The Mikado
Nanki-Poo
Pish-Tush
Katisha
Yum-Yum
Pitti-Sing
Peep-Bo
Go-To
Simon Fletcher
Geoff Collier
Andrew Williamson
Timothy Markham
Niall Howell Evans
Denise Groenewald
Sarah Elder
Mel Read
Gemma Varnom
Paul Lewin
Ensemble Richard Groenewald, Sam Martin, Terry Qualtrough, John Quayle, Richard Read, John Rimmer, Kate Butterworth, Zoe Cannell, Jill Collings, Val Coole, Ros Featherstone, Hazel Johnson, Sophie Killey, Pat Larkham, Janine Lashmar, Nora Lean, Erin Moran, Fran Quayle, Maureen Reynolds, Freya Shimmin, Caroline Turner, Lin Walsh, Karen Elliott, Mandy Griffin, Jane Mayne, Helen Prescott, Bill Corlett, David Cowley, Ken Gumbley, Nick Roberts, Tony Fulford, Julian Power
Best director
Best choreographer
Best male supporting Actor

Since its premiere in 1889, The Gondoliers has delighted audiences with both its memorable score and its political satire, cleverly tucked into Gilbert’s witty plot line.
The Gondoliers tells the story of two charming Venetian gondoliers, Giuseppe and Marco, who are informed that due to an error of identity when they were young boys, one of them is now the heir to the throne of Barataria.
Delighted with the situation, they agree to share the responsibilities of governing their new kingdom until it can be ascertained which of them is which.
Matters become complicated when the Duke and Duchess of Plaza Toro reveal that their beautiful daughter, Casilda, was married to the future king as an infant.
However, Casilda is in love with her father’s attendant Luiz, and both Giuseppe and Marco are newly married to the contadine Tessa and Gianetta.
Written by W.S. Gilbert; Composed by Arthur Sullivan.
Director
Choreographer
Assistant Choreo
Musical Director
Assistant MD
Stage Manager
Lighting Design
Sound Design
Head of Wardrobe
Head of Props
Accompanists
Val Cowley
Val Cowley
Paula Gelling
Graham Kirkland
Mandy Griffin
Mike Lean
Mike Lean
Kristian Elstrop
Nora Leane
Adrienne Sanderson
Marilyn Cannell & Jill Collings
Duke
Duchess
Don Alhambra
Marco Palmieri
Giuseppe Palmieri
Casilda
Gianetta
Tessa
Antonio
Fransesco
Giorgio
Annibale
Geoff Collier
Denise Groenewald
Andrew Williamson
Timothy Markham
Niall Howell Evans
Sarah Elder
Mel Read
Debbie Lean
Terry Qualtrough
Sam Martin
Tony Fulford
Paul Lewin
Luiz
Fiametta
Vittoria
Guilia
Inez
Mark Murley
Kay Harker
Paula Gelling
Jeni Ketteridge
Mandy Griffin
Ensemble Jean-Michel Bazille, Clive Bishop, Howard Connell, Kevin Eder, Richard Groenewald, Ken Gumbley, John Quayle, Richard Read, Frank Sanderson, Kate Butterworth, Sue Bishop, Caroline Cain, Zoe Cannell, Val Coole, Ros Featherstone, Cathleen Galbraith, Sophie Killey, Janine Lashmar, Nora Lean, Ann-Marie Messenger, Fran Quayle, Maureen Reynolds, Caroline Turner, Lin Walsh

A hilarious farce of sentimental pirates, bumbling policemen, dim-witted young lovers and an eccentric Major-General.
Set sail with this classic comedy that boasts one of the most famous patter songs in musical theatre history.
Mistakenly apprenticed to a pirate by his nursemaid Ruth at the age of eight, the handsome Frederic is now twenty-one and, though quite fond of the group of joyous and fun-loving pirates, chooses to abandon his profession and ‘lead a blameless life henceforth’ dedicating himself instead to their eradication.
Shortly after leaving them, Frederic encounters the eccentric Major-General and his daughters – a gaggle of beautiful maidens, one of whom, Mabel, steals Frederic’s heart.
The whole group has a run-in with the pirates themselves. Just as Frederic is ready to lead a band of policemen to take out the Pirate King and his men, a secret is uncovered that will change his fate forever.
Music by Arthur Sullivan; Lyrics by W.S. Gilbert.
Director
Choreographer
Musical Director
Assistant MD
Accompanist
Stage Manager
Lighting Design
Sound Design
Head of Wardrobe
Head of Props
Head of Hair/Makeup
Val Cowley
Val Cowley
Graham Kirkland
Mandy Griffin
Marilyn Cannell
Mike Lean
Mike Lean
Kristian Elstrop & Stefan Hoy
Nora Leane
Sue Bowring
Jenny Green
Frederic
Mabel Stanley
Pirate King
Ruth
Sergeant of Police
Edith Stanley
Samuel
Kate Stanley
James
Isabel Stanley
Major-General Stanley
Iain Dixon
Sarah Elder
Andrew Williamson
Denise Groenewald
Terry Qualtrough
Debbie Lean
Timothy Markham
Paula Gelling
Sam Martin
Mel Read
Karl Cubbon
Ensemble Clive Bishop, John Bowring, Sue Bowring, Kate Butterworth, Kevin Eder, Tony Fulford, Richard Groenewald, Mark Murley, John Quayle, Richard Read, Frank Sanderson, Lin Walsh, Malcom Webb, Val Adams, Caroline Cain, Zoe Cannell, Val Coole, Ros Featherstone, Hazel Johnson, Jeni Ketteridge, Pat Larkham, Nora Lean, Maureen Reynolds, Caroline Turner
Best Female newcomer
Best musical Director
Best male supporting actor

Since its premiere in 1878, Gilbert and Sullivan’s wildly popular operetta H.M.S. Pinafore has delighted audiences with a nautically-tinged story of star-crossed lovers.
The gentlemanly Captain Corcoran, of the good ship Pinafore, has a daughter, Josephine, who is in love with a lowly but gallant sailor named Ralph Rackstraw. The Captain forbids the marriage, wanting to match Josephine instead with the well-bred Sir Joseph, First Lord of the Admiralty.
In the meantime, the Captain finds himself in nearly the same position as his daughter: his former nanny, Little Buttercup, falls in love with him, but he hesitates to reciprocate due to his higher social rank.
The whole situation is turned on its head when Little Buttercup reveals a game-changing secret she has kept for decades.
A rollicking farce with endearing characters, memorable tunes, and a hilariously happy ending, H.MS Pinafore is a classic, time-tested delight not to be missed.
Music by Arthur Sullivan; Lyrics by W.S. Gilbert.
Director
Choreographer
Assistant Director
Musical Director
Assistant MD
Accompanist
Stage Manager
Lighting Design
Head of Wardrobe
Head of Props
Head of Hair/Makeup
Val Cowley
Paula Gelling
Melissa Read
Graham Kirkland
Sue Bowring
Marilyn Cannell
Mike Lean
Mike Lean
Nora Lean
Sue Bowring
Jenny Green
Sir Joseph Porter
Captain Corcoran
Josephine
Ralph Rackstraw
Dick Deadeye
Buttercup
Bob Becket
Bill Bobstay
Cousin Hebe
Geoff Collier
Niall Howell Evans
Mandy Griffin
Iain Dixon
Andrew Williamson
Debbie Lean
Timothy Markham
Ken Gumbley
Paula Gelling
Ensemble Clive Bishop, John Bowring, Karl Cubbon, Kevin Eder, Rob Gordon, John Quayle, Malcolm Webb, Val Adams, Sue Bishop, Kate Butterworth, Val Coole, Zoe Cannell, Kay Harker, Heather Hodgett, Hazel Johnson, Nora Lean, Pat Larkham, Lucy Marsh-Smith, Fran Quayle, Maureen Reynolds, Mel Read, Caroline Turner
best director
Best newcomer

The first of Offenbach’s outrageously funny ‘send-ups’ of Greek mythology, this is an unashamedly Gallic version of the classic legend of Orpheus’ pursuit of his wife Eurydice, who is carried off to Hades by Pluto, much to the annoyance of Jupiter.
A highly disrespectful romp, it involves nymphs, shepherds, gods and goddesses, with the fun reaching its climax in the riotous revels of the celebrated “Can-Can.”
Based on the 6th century BC myth of Orpheus and Eurydice. As told by Ovid, the story tells of a grieving Orpheus following Eurydice into the Underworld where by his song he charms the King and Queen to allow her to return with him.
Music by Jacques Offenbach; Adapted and Arranged by Ronald Hanmer.
From the original by Hector Cremieux and Ludovic Halevy; New Book and Lyrics by Phil Park.
This amateur production is presented by arrangement with Josef Weinberger Ltd.
Director
Musical Director
Choreographer
Assistant Director
Assistant MD
Stage Manager
Lighting Design
Head of Wardrobe
Head of Props
Leon Berger
John Elliott
Paula Gelling
Val Cowley
Marilyn Cannell
Mike Lean
Leon Berger
Nora Lean & Fran Quayle
Sarah Kelly & Selena Vickers
Pluto
Jupiter
Orpheus
Eurydice
Juno
Mercury
Cupid
Diana
Venus
Mars
Styx
Calliope
Karl Cubbon
Geoff Collier
Leon Berger
Karen Elliott
Janet Bird
Nigel Thijs
Kerry Middleton
Lucy Marsh-Smith
Kelly Collard
Andrew Williamson
Mike Lean
Mandy Griffin
Icarus
Vulcan
Bacchus
Angelica
Ken Gumbley
John Bowring
Erik Walsh
Zoe Cannell
Ensemble Laura Breadner, Rebecca Dawson, Natalie Dawson, Paula Gelling, Jade Parkinson, Kayleigh Parkinson, Siobhan Hill, Jooles Newton, Hannah Simpson, Kim Wright, Val Adams, Hazel Ashton, Janet Bird, Kate Butterworth, Val Coole, Ros Featherstone, Paula Gelling, Kay Harker, Hazel Johnson, Pat Larkham, Melissa Read, Maureen Reynolds, Lesley Sleight, Caroline Turner, Lin Walsh, Morag Withey

No further information available.

The Merry Widow tells the story of Sonia of Marsovia, the lovely and seductive widow of the fabulously rich Sidor Sedova.
Since most of the wealth Sonia inherited from her late husband consists of mortgages on the Marsovian King’s palace and the Queen’s jewels, it is vital that Sonia remarry a Marsovian, not one of the many Frenchmen pursuing her.
Bungling Baron Popoff, Marsovia’s ambassador to France, attempts to make a match between Sonia and Prince Danilo, nephew of the King of Marsovia. However the Prince is jealous of Sonia’s French suitors and she, in turn, resents his dallyings with other girls.
Music by Franz Lehár; New Book and Lyrics by Phil Park.
Original book and lyrics by Victor Leon and Leo Stein; Music adapted and arranged by Ronald Hanmer.
This amateur production is presented by arrangement with Glocken Verlag Ltd.
Director
Musical Director
Choreographer
Assistant Director
Assistant MD
Accompanist
Stage Manager
Lighting Design
Head of Wardrobe
Head of Props
Douglas Waft
John Elliott
Paula Gelling
Val Cowley
May Bloomfield
Marilyn Cannell
Mike Percival
Mike Lean
Nora Lean
Midge Thorne-Cringle & Jo Cain
Anna
Danilo
Baron Zeta
Valencienne
Camille
Njegus
St Brioche
Cascada
Kromov
Olga
Bogdanovitsch
Pritsch
Karen Elliott
Simon Fletcher
Geoff Collier
Helen Prescott
Michael Corkhill
John Bowring
David Williams
Mike Lean
Ken Gumbley
Valerie Kissack
Michael Devereau
Karl Cubbon
Sylvia
Praskovia
Mandy Griffin
Simone Pendlebury
Ensemble Laura Breadner, Caroline Cain, Rebecca Dawson, Kellie Fargher, Ros Featherstone, Paula Gelling, Kay Harker, Kerry Middleton, Kayleigh Parkinson, Melissa Read, Kim Wright, Clive Bishop, Simon Caine, Geoff Christian, Anthony Curwen, Joe Curwen, Robert Gordon, John Quayle, Nigel Thijs, Val Adams, Janet Bird, Sue Bishop, Val Coole, Sherrie Poultney, Val Cowley, Heather Hodgett, Hazel Johnson, Pat Larkham, Nora Lean, Fran Quayle, Maureen Reynolds, Caroline Turner, Selina Vickers, Lin Walsh, Morag Withey

Since its premiere in 1885, The Mikado has become one of the most-performed pieces of musical theatre in history.
As with many of Gilbert and Sullivan’s productions, the show satirizes aspects of Victorian Britain’s politics and aristocracy; in The Mikado, however, this is cleverly cloaked behind a charming story set not in Britain, but in exotic Japan.
A year before the action of this opera begins, Nanki-Poo, son of the Mikado of Japan, fled his father’s imperial court to escape marriage with elderly lady Katisha.
Disguised as a travelling musician, Nanki-Poo meets and falls in love with Yum-Yum, but there’s just one catch…she’s betrothed to Ko-Ko, the new Lord High Executioner. And Ko-Ko needs to find someone to execute, otherwise it’s his own neck on the block!
Featuring Philip Summerscales as the Mikado, a role he had previously played professionally with the English National Opera.
This complex satire is characterised by the clever wordplay, memorable tunes, and endearing characters that have allowed Gilbert and Sullivan’s popularity with audiences to endure for well over a century.
Music by Arthur Sullivan; Lyrics by W.S. Gilbert.
Director
Musical Director
Choreographer
Accompanist
Stage Manager
Lighting Design
Head of Wardrobe
Head of Props
Head of Makeup
John Elliott
Julian Power
Paula Kewley
Marilyn Cannell
Mike Percival
Mike Lean
Nora Lean
Val Cowley
Jenny Green
The Mikado
Nanki-Poo
Ko-Ko
Pooh-Bah
Pish-Tush
Go-To
Yum-Yum
Pitti-Sing
Peep-Bo
Katisha
Philip Summerscales
Michael Corkhill
Geoff Collier
Mike Lean
Gary Corkhill
Ken Gumbley
Karen Elliott
Karen Riordan
Paula Kewley
Val Kissack
Ensemble Clive Bishop, John Bowring, Chris Burns, Simon Caine, Joe Curwen, Robert Gordon, Richard Groenewald, John Quayle, Geoff Christian, Rob Clayton, Mike Cross, Karl Cubbon, Jack Sleight, David Williams, Val Adams, Hazel Ashton, Sue Bishop, Kate Butterworth, Caroline Cain, Val Coole, Anna Collier, Val Cowley, Sophie Killey, Pat Larkham, Janine Lashmar, Nora Lean, Helen Prescott, Hilary Power, Fran Quayle, Maureen Reynolds, Ros Featherstone, Denise Groenewald, Mandy Griffin, Kelly Hughes, Heather Hodgett, Kay Harker, Hazel Johnson, Mel Keating, Melissa Read, Lesley Sleight, Midge Thorne-Cringle, Caroline Turner, Selina Vickers, Kim Wright, Lin Walsh

An Operetta double bill.
Trial by Jury is a comic opera in one act, which was first produced in 1875 at London’s Royalty Theatre, where it initially ran for 131 performances and was considered a hit, receiving considerable critical praise.
The story concerns a “breach of promise of marriage” lawsuit, in which the judge and legal system are the objects of lighthearted satire. Gilbert based the libretto of Trial by Jury on an operetta parody that he had written in 1868.
The Sorcerer made its debut in 1877 and was the first Gilbert and Sullivan collaboration in which the two had complete control of the production.
The story begins with the villagers of Ploverleigh celebrating the betrothal of Alexis, son and heir of Sir Marmaduke Pointdextre, to Aline, daughter of Lady Sangazure. Alexis and Aline sign the marriage contract, but it appears that Alexis, despite loving Aline, does not share his father’s outmoded notions that only men and women of equivalent rank should marry, without regard to such nonsense as romantic inclination. Alexis hires Sorcerer John Wellington Wells, to cast a spell and create a love potion that is administered to all the villagers. All who drink it will immediately fall asleep, and upon waking up, fall madly in love with the first person he or she sees, with immunity to those already married.
Music by Arthur Sullivan; Lyrics by W.S. Gilbert.
Director
Musical Director
Choreographer
Accompanist
Stage Manager
Set Construction
Lighting Design
Head of Props
Head of Makeup
Head of Wardrobe
John Elliott
Julian Power
Paula Kewley
Marilyn Cannell
Mike Lean
Midge Thorne-Cringle
Mike Lean
Val Cowley
Jenny Green
Nora Lean & Pauline Cowin
The Learned Judge
The Plaintiff
The Defendant
Counsel for Plaintiff
Usher
Jury Foreman
First Bridesmaid
Shorthand writer
Constable
Mike Lean
Anna Collier
Michael Corkhill
Karen Riordan
Geoff Collier
Tony Harrison
Paula Kewley
Melissa Read
Joe Curwen
Sir Marmaduke
Alexis
Dr Daly
Notary
John Wellington W.
Lady Sangazure
Aline
Mrs Partlet
Constance
Well’s Apprentice
Hercules
Ken Gumbley
Gary Corkhill
Geoff Collier
Tony Harrison
Simon Fletcher
Denise Groenewald
Mandy Griffin
Janet Bird
Karen Elliott
Jack Sleight
Paul Smart
Ensemble Clive Bishop, Jim Bird, John Bowring, Simon Caine, Geoff Christian, Robert Gordon, Richard Groenewald, Tony Keating, John Quayle, Robert Clayton, Karl Cubbon, Mike Devereau, Richard Soloman, David Williams, Val Adams, Hazel Ashton, Kate Butterworth, Sue Bishop, Kelly Collard, Val Coole, Janine Lashmar, Pat Larkham, Nora Lean, Hilary Power, Helen Prescott, Maureen Reynolds, Hannah Riordan, Lesley Sleight, Kay Harker, Heather Hodgett, Kellie Hughes, Hazel Johnson, Melanie Keating, Sophie Killey, Midge Thorne-Cringle, Caroline Turner, Lin Walsh, Beth Vickers, Selina Vickers, Paula Kewley

Gilbert’s original libretto, first performed in 1881, centred around the aesthetic ‘new religion.’
David Irving and John Hurton, in looking for a modern-day setting, hit upon the notion that the game of football has become the equivalent of the aesthetic ‘new religion’, with its mass appeal and the same type of adulation being heaped on today’s stars as it was upon their nineteenth century counterparts.
Our story is centred on the ailing North of England football club, Pithead Town – affectionately known as “The Pits”. The original production’s two rival poets are replaced by Buntoni (a pseudo-Italian) and Grosvenoir (a boring Belgian).
The innocent Patience, the daughter of a bishop, is a student working in her gap year in the club’s souvenir shop and cafe. The ladies are transformed from rapturous maidens into northern lasses, and the gentlemen of the chorus into the players of Pithead Town FC.
Music by Arthur Sullivan; Lyrics by W.S. Gilbert.
New material by David Irving and John Hurton; By kind permission of Gasleak Productions.
Director
Musical Director
Choreographer
Assistant Director
Accompanist
Stage Manager
Dep. Stage Manager
Set Construction
Head of Wardrobe
Hair & Makeup
John Elliott
Julian Power
Paula Kewley
Mike Lean
Marilyn Cannell
Mike Lean
Clive Hobson
Mike Lean
Nora Lean
Jenny Green
Ron Jenkinson
The Major
Duke of Bleakmoor
Reginaldo Buntoni
Archibald G.
Angie
Sophie
Emma
Jane
Patience
Dame Margot
Buntoni’s Interpreter
Mike Lean
Geoff Collier
David Williams
Simon Fletcher
Gary Corkhill
Karen Riordan
Anna Collier
Emma Doolan
Valerie Kissack
Karen Elliott
Paula Kewley
Paul Smart
Pithead Junior
Groundsman
Jack Sleight
Joe Curwen
Ensemble Laura Bowman, Kelly Collard, Janine Lashmar, Melissa Read, Hannah Riordan, Joshua Riordan, Juan Riordan, Creena Taylor, Beth Vickers, Kim Wright, Val Adams, Hazel Ashton, Sue Bishop, Val Coole, Ros Featherstone, Heather Hodgett, Hazel Johnson, Nora Lean, Maureen Reynolds, Lesley Sleight, Caroline Turner, Selina Vickers, Clive Bishop, John Bowring, Chris Burns, Geoff Christian, Karl Cubbon, Mike Devereau, Robert Gordon, Ken Gumbley, Richard Groenewald, Tony Harrison, John Quayle, Richard Soloman
Best male Actor

The Society visited the Buxton 10th International Gilbert & Sullivan Festival in 2003 and gave 2 performances in the Festival fringe in the Paxton Suite.
The first half was Arthur Sullivan’s Festival Te Deum and the second half was The Batsman’s Bride (By Donald Hughes and Percy M. Heywood; By kind permission of Rydal School, Colwyn Bay).
The magnificent Festival Te Deum was written by the 30 year old Sullivan and dedicated to Her Majesty Queen Victoria. It was first performed in 1872 at the Crystal Palace in front of 26,000 people.
The Batsman’s Bridge is a one act operetta about the Cattlecud village cricket team who take on the might of the MCC. The Society were delighted to perform the work for the first time on the Isle of Man in March 2002 and made a CD of the performance. All copies are now sold out.
Musical Director
Accompanist
Sir Roderick
Grace Celluloid
John Elliott
Marilyn Cannell
Ken Gumbley
Anna Collier
George Cowshott
Old William
Bowler
1st Man
Michael Corkhill
Geoff Collier
Gary Corkhill
Karl Cubbon
Commentator
Additional Comm.
Scores
Douglas Waft
Mike Lean
Emma Doolan
Ensemble Nora Lean, Selina Vickers, Val Adams, Clive Bishop, John Bowring, Geoff Christian, Derek Hibbert, David Williams, Richard Groenewald, Tony Harrison, Timothy Markham, Lindsay Riordan, Hazel Ashton, Sue Bishop, Kate Butterworth, Elaine Christian, Heather Hodgett, Hazel Johnson, Paula Kewley, Valerie Kissack, Karen Elliott, Ros Featherstone, Denise Groenewald, Kay Harker, Maureen Reynolds, Karen Riordan, Caroline Turner, Kim Wright

A hilarious farce of sentimental pirates, bumbling policemen, dim-witted young lovers and an eccentric Major-General.
Set sail with this classic comedy that boasts one of the most famous patter songs in musical theatre history.
Mistakenly apprenticed to a pirate by his nursemaid Ruth at the age of eight, the handsome Frederic is now twenty-one and, though quite fond of the group of joyous and fun-loving pirates, chooses to abandon his profession and ‘lead a blameless life henceforth’ dedicating himself instead to their eradication.
Shortly after leaving them, Frederic encounters the eccentric Major-General and his daughters – a gaggle of beautiful maidens, one of whom, Mabel, steals Frederic’s heart.
The whole group has a run-in with the pirates themselves. Just as Frederic is ready to lead a band of policemen to take out the Pirate King and his men, a secret is uncovered that will change his fate forever.
Music by Arthur Sullivan; Lyrics by W.S. Gilbert.
Director
Musical Director
Accompanist
Stage Manager
Dep. Stage Manager
Set Design
Head of Wardrobe
Head of Wardrobe
Head of Props
Head of Props
Head of Makeup
Head of Makeup
Dennis Coote
John Elliott
Marilyn Cannell
Emma Percival
Sonia Callin
Dennis Coote
Nora Lean
Val Coole
Sue Bowring
Sue Parkinson
Jenny Green
Sue Bowring
Major-General
Pirate King
Samuel
Frederic
Sergeant of Police
Mabel
Edith
Kate
Isabel
Ruth
Queen Victoria
Geoff Collier
Gary Corkhill
Kevin Brew
Simon Fletcher
Ken Gumbley
Karen Elliott
Emma Doolan
Kim Wright
Lesley Sleight
Valerie Kissack
Hazel Ashton
Ensemble Val Adams, Hazel Ashton, Sue Bagnall, Janet Bird, Sue Bishop, Charlie Bowman, Laura Bowman, Kelly Collard, Anna Collier, Val Coole, Denise Groenewald, Kay Harker, Heather Hodgett, Paula Kewley, Nora Lean, Maureen Reynolds, Karen Riordan, Caroline Turner, Selina Vickers, Lin Walsh, Jim Bird, Clive Bishop, John Bowring, Chris Burns, Simon Caine, Geoff Christian, Michael Corkhill, Karl Cubbon, Joe Curwen, Mike Devereau, Mike Glanfield, Robert Gordon, Richard Groenewald, Ken Gumbley, Tony Harrison, Mike Lean, Timothy Markham, Alan Murray, Richard Solomon, David Williams

A hilarious twist on a traditional medieval fairy tale, Princess Ida tells the tale of a Princess, who eschews her marriage obligations to the Prince of a neighbouring kingdom, to run a women’s university.
Prince Hilarion has been waiting for his wedding day for twenty years, after he was betrothed to Princess Ida when they were infants.
Unswayed, Hilarion dresses up as a maiden and sneaks into the women’s compound, accompanied by his friends, Cyril and Florian, who are forced to dress up too.
Once in the college, various girls attending discover their secret. These girls attempt to keep the knowledge from Ida but eventually she discovers and apprehends the intruders.
Princess Ida satirizes feminism, women’s education, masculine pugnacity and militarism, some of which were controversial topics in conservative Victorian England.
It is based on an 1847 narrative poem by Alfred, Lord Tennyson called “The Princess”; Gilbert had written a farcical musical play based on the poem in 1870. In 1884, he lifted much of the dialogue of Princess Ida directly from his 1870 farce.
Music by Arthur Sullivan; Lyrics by W.S. Gilbert.
Director
Musical Director
Accompanist
Accompanist
Stage Manager
Set Design
Head of Wardrobe
Head of Wardrobe
Head of Makeup
Head of Makeup
Dennis Coote
John Elliott
Wiliam Buck
Marilyn Cannell
Emma Percival
Dennis Coote
Nora Lean
Val Coole
Jenny Green
Sue Bowring
King Hildebrand
Hilarion
Cyril
Florian
King Gama
Arac
Guron
Scynthius
Princess Ida
Lady Blanche
Geoff Collier
Gary Corkhill
Michael Corkhill
Simon Fletcher
Mike Lean
Kevin Brew
John Bowring
Tony Harrison
Karen Elliott
Valerie Kissack
Lady Psyche
Melissa
Sacharissa
Chloe
Ada
Karen Riordan
Jenni Smart
Lesley Sleight
Emma Doolan
Anna Collier
Ensemble Val Adams, Hazel Ashton, Laura Bowman, Kelly Collard, Val Coole, Kay Harker, Heather Hodgett, Hazel Johnson, Paula Kewley, Nora Lean, Maureen Reynolds, Caroline Turner, Selina Vickers, Lin Walsh, Bunny Wicke

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